Words as Instruments (4-21)
Here is another “cover” of Cage’s 4′33″
Instruments: KEYWORDS (pulled randomly from Cynthia Selfe’s “Toward New Media Texts”); listener’s available sound/space; KEYWORD/tag generated YouTube offerings
This performance hopes to (begin to) speculate on what Cage’s “minimal compositional frame” makes possible (and perhaps consequently what the concept of “minimal compositional frame(s)” in connection with digital media might make [...]
Writing Indeterminacy (4-20)
Opening Shot:
(pulled from Liz Kotz’s Word to Be Looked At. No permission)
This post will attempt to both respond to recent reading and to make an initial (vague/tentative) proposal for a larger project. The project has two tentative names at this moment: “Writing Indeterminacy” or “John Cage and English Composition.” I imagine “Writing Indeterminacy” to [...]