Words as Instruments (4-21)
Here is another “cover” of Cage’s 4′33″
Instruments: KEYWORDS (pulled randomly from Cynthia Selfe’s “Toward New Media Texts”); listener’s available sound/space; KEYWORD/tag generated YouTube offerings
This performance hopes to (begin to) speculate on what Cage’s “minimal compositional frame” makes possible (and perhaps consequently what the concept of “minimal compositional frame(s)” in connection with digital media might make [...]
PLAY (Mixed Response to Lenham Draft #1)
Lanham writes: “The arts are ‘humanistic information’ in its most characteristic form. How in creation, performance, and teaching, have they been digitally transformed? We might find our footing in the performing arts by considering music’ ( “The Implications of Electronic Information for the Sociology of Knowledge” 462).
In response to Lanham, Antinora writes: “…[the] example of [...]